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The term pop has been used since the early forties to refer to popular music in general, but 💸 from the mid-1950s it began to be used for a distinct genre, aimed at a youth market, often characterized as 💸 a softer alternative to rock and roll.[11][1] In the aftermath of the British Invasion, from about 1967, it was increasingly 💸 used in opposition to the term rock, to describe a form that was more commercial, ephemeral and accessible.[12]

Debates [ edit 💸 ]

Frith's analysis of the history of popular music from the 1950s to the 1980s has been criticized by B. J. 💸 Moore-Gilbert, who argues that Frith and other scholars have overemphasized the role of rock in the history of popular music 💸 by naming every new genre using the "rock" suffix. Thus, when a folk-oriented style of music developed in the 1960s, 💸 Frith termed it "folk rock", and the pop-infused styles of the 1970s were called "pop rock". Moore-Gilbert claims that this 💸 approach unfairly puts rock at the apex and makes every other influence become an add-on to the central core of 💸 rock.[16]

In Christgau's Record Guide: Rock Albums of the Seventies (1981), Robert Christgau discussed the term "pop-rock" in the context of 💸 popular music's fragmentation along stylistic lines in the 1970s; he regarded "pop-rock" as a "monolith" that "straddled" all burgeoning movements 💸 and subgenres in the popular and semipopular music marketplace at the time, including singer-songwriter music, art rock, heavy metal, boogie, 💸 country rock, jazz fusion, funk, disco, urban contemporary, and new wave, but not punk rock.[17]