superbet l

Characteristics of this genre (starting in the 1960s onwards) includes constituting a violent disruption of the everyday world, transgressions and violated boundaries, questioning the validity of rationality, repudiation of narrative and producing a bounded experience of fear (between the audience and the film).

Some of the goals of postmodernist film are to subvert the mainstream conventions of narrative structure and characterization, and to test the audience's suspension of disbelief.